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Both children and adults learning to sail will rapidly become familiar with the rudimentary basics. Replace a worn-out or damaged net with our New Cat trampoline! Following intensive, frequent usage of the multihull, the equipment may deteriorate. Our New Cat catamaran nets are technically identical to the original ones, to provide you with a strong resistance to waves, and thrilling sensations at sea.
Army Royal: Ordonnance Archers WIP part 1
We have selected robust materials that stand up to repeated use and harsh elements such as UV rays and salt water. For a number of years, New Cat catamarans have been popular in sailing schools for learners of all ages. This multihull may be used by one or two people at a time, depending on the model.
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In order for sailing professionals to offer lessons in optimal conditions, LoftNets provides them with New Cat catamaran trampolines. These trampolines replace the damaged nets to provide comfort to passengers, while ensuring both their safety and the boat's performances.
Younger sailors will discover the joys of navigating under the supervision of an adult, or even by competing in a regatta! Concerned with offering sailors of all levels the best experience possible, LoftNets puts its entensive years of knowledge to work to create New Cat boat nets that respond to catamaran owners' demands.
To do so, we have selected the same materials as those used in the original nets: mesh and PVC. Whether it is an openwork net, or a technical fabric, our products are all equally robust and UV-resistant.
A New Cat catamaran net: ideal for newbies
Our New Cat catamaran nets are designed to last and stand up to harsh weather conditions. Reinforcements are positioned along the stitches, and stainless steel eyelets placed along the net's perimeter keep the tensioning rope from fraying. The system is based on simple increasing geometric proportions, owing to the choice of a new standard, called "le petit module" p.
Thanks to the choice of the "petit module" the proportions can be expressed in whole numbers.
Translation of "Caducité de l'" in English
Thus the orders are in a regular progression of 3 "p. The height of the entablature alone is the same for all the orders and equals 6 "p. Similarly the moulding work of the pedestals, the columns and the entablatures gain in complexity as the order gains in height and opulence. Thus the base of the Tuscan pedestal has two mouldings, that of the Doric, three, etc. As in Vitruvius' treatise, the height of the bases is a half-diameter.
But Perrault cheats with the average, for he established it from the two extremes he chose. As already noted by Wolfgang Hermann , p. The only originality of Perrault's models is that they are the combination of bases, capitals and entablatures borrowed from various sources, especially Vitruvius, a few prestigious antiquities the theater of Marcellus, the Coliseum, the arch of Titus, the baths of Diocletian Once these models were defined, no modification of the proportions could be imagined, not even for optical reasons, under the postulate that sight does not mislead II nd part, ch.
Perrault is himself a severe critic II nd part, ch. He disapproves of the unevenly spaced metopes in the twinned Doric columns, as in the portal of Saint-Gervais, or the half-triglyphs in reflex angles, as in the Church of the Minimes by Mansart abuse 4.
The architrave cornice is, in his opinion, an aberration abuse 9 — a probable allusion to Mansart who used it at Blois and then at Maisons and who as a matter of fact took his inspiration from a plate of Philibert De l'Orme Premier tome , , f. On the other hand some practices which were considered abuses such as the twinning of columns, criticized by Blondel Cours d'architecture , , p. He also advises the colossal order for great palaces like the Louvre abuse 6 pp.
The Ordonnance is a manifesto in which Claude Perrault clearly asserts his superiority over the Ancients as well as his immediate predecessors. The orders he proposes are the best because they are the rational synthesis of the most beautiful models from the past. He defends his accomplishments marked by modernity and scientific progress, that is, by the rationalization of the conception of the building and by a certain idea of architectural beauty.