After returning to Germany, Ernsting started to work as a translator for the British authorities in and came into contact with Anglo-American science fiction magazines. Intrigued with this literary genre, he started working on some science fiction novels of his own, but Germany's cultural climate was apparently not ready for native science fiction authors.
Ernsting finally managed to get some of his novels published by inventing a fictitious British author, Clark Darlton, and selling his own works as translations of Darlton's works.
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Until the end of the s, Ernsting worked as an editor for the club's magazine, Andromeda , and became an important figure in German science fiction fandom. Over the course of his lifetime, Ernsting wrote more than science fiction novels. Asteroid , discovered in , was named after Ernsting in In he got to be editor of this collection and started the readers' column Meteoriten ; he also got to be editor of the new science fiction magazine Utopia Sonderband later renamed to Utopia Magazin.
In he changed to the publishing house Moewig Verlag , Munichand its series for science fiction novels Terra and its magazine Galaxis. He still wrote science fiction novels and stories using the pseudonyms Clark Darlton and occasionally Fred McPatterson. It is this alienation of nature from thought that photography portrays: 'The same mere nature which appears in photography flourishes in the reality of the society produced by the capitalist mode of production'. Although Kracauer is very clear about the historicity of the society portrayed by photography, his characterisation of capitalism as part of a process of emancipation from myth is in fact historically a-specific, a translation of industrial production into a metaphysical language which clearly shows Kracauer's formation in Kantian idealism.
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